{"id":1397,"date":"2021-12-15T10:37:26","date_gmt":"2021-12-15T09:37:26","guid":{"rendered":"https:\/\/jazzresearch.org\/?p=1397"},"modified":"2022-03-15T10:39:22","modified_gmt":"2022-03-15T09:39:22","slug":"jazz-research-news-58-2021","status":"publish","type":"post","link":"https:\/\/jazzresearch.org\/en\/jazz-research-news\/jazz-research-news-58-2021\/","title":{"rendered":"Jazz Research News 58 (2021)"},"content":{"rendered":"<p><strong>I<\/strong><br \/>\n<strong>Informationen \/ Information<\/strong><\/p>\n<p>Bernd Hoffmann<br \/>\n\u201eJazzbanditen\u201c oder die M\u00e4r vom seligen Amateur:\u00a0Dixieland- und Skiffle-Szene als westdeutsche Jugend-Bewegung<\/p>\n<p><strong>II<\/strong><br \/>\n<strong>Rezensionen \/ Reviews<\/strong><\/p>\n<p>Korn\u00e9l Zipernovszky<br \/>\nTravis Atria, Better Days Will Come Again: The Life of Arthur Briggs,\u00a0Jazz Genius of Harlem, Paris, and a Nazi Prison Camp<\/p>\n<p><strong>III<\/strong><br \/>\n<strong>Transkriptionen \/ Transcriptions<\/strong><\/p>\n<p>Franz Krieger<br \/>\nThe Girl from Ipanema \u2013 as Played by Chris Potter and Bill Crow<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I Informationen \/ Information Bernd Hoffmann \u201eJazzbanditen\u201c oder die M\u00e4r vom seligen Amateur:\u00a0Dixieland- und Skiffle-Szene als westdeutsche Jugend-Bewegung II Rezensionen \/ Reviews Korn\u00e9l Zipernovszky Travis Atria, Better Days Will Come Again: The Life of Arthur Briggs,\u00a0Jazz Genius of Harlem, Paris, and a Nazi Prison Camp III Transkriptionen \/ Transcriptions Franz Krieger The Girl from Ipanema [&hellip;]<\/p>\n","protected":false},"author":8,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"class_list":["post-1397","post","type-post","status-publish","format-standard","hentry","category-jazz-research-news"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["de","en"],"languages":{"de":{"title":true,"content":true,"excerpt":false},"en":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/1397","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/comments?post=1397"}],"version-history":[{"count":3,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/1397\/revisions"}],"predecessor-version":[{"id":1551,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/1397\/revisions\/1551"}],"wp:attachment":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/media?parent=1397"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/categories?post=1397"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/tags?post=1397"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}