{"id":1348,"date":"2021-12-02T10:49:15","date_gmt":"2021-12-02T09:49:15","guid":{"rendered":"https:\/\/jazzresearch.org\/?p=1348"},"modified":"2022-02-02T11:04:55","modified_gmt":"2022-02-02T10:04:55","slug":"jazz-research-news-57-2021","status":"publish","type":"post","link":"https:\/\/jazzresearch.org\/en\/jazz-research-news\/jazz-research-news-57-2021\/","title":{"rendered":"Jazz Research News 57 (2021)"},"content":{"rendered":"<p><strong>I. Informationen \/ Information<\/strong><\/p>\n<p>Frank Murphy<br \/>\nDiminushing, Yes, Diminushing: St\u00e9phane Grappelli and the Hot Club Quintet<\/p>\n<p>Ank\u00fcndigung: Jazzwissenschaftliche Tagung in Kooperation mit der IGJ \u2013 Neuer Termin: 09.\u201312. Juni 2022<\/p>\n<p><strong>II. Rezensionen \/ Reviews<\/strong><\/p>\n<p>Peter Dob\u0161insk\u00fd<br \/>\nJan Bl\u00fcml \/ Yvetta Kajanov\u00e1 \/ R\u00fcdiger Ritter (Eds.), Popular Music in Communist and Post-Communist Europe<\/p>\n<p><strong>III. Transkriptionen \/ Transcriptions<\/strong><\/p>\n<p>Franz Krieger<br \/>\nChameleon \u2013 as Played by Herbie Hancock<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I. Informationen \/ Information Frank Murphy Diminushing, Yes, Diminushing: St\u00e9phane Grappelli and the Hot Club Quintet Ank\u00fcndigung: Jazzwissenschaftliche Tagung in Kooperation mit der IGJ \u2013 Neuer Termin: 09.\u201312. Juni 2022 II. Rezensionen \/ Reviews Peter Dob\u0161insk\u00fd Jan Bl\u00fcml \/ Yvetta Kajanov\u00e1 \/ R\u00fcdiger Ritter (Eds.), Popular Music in Communist and Post-Communist Europe III. Transkriptionen \/ [&hellip;]<\/p>\n","protected":false},"author":8,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"class_list":["post-1348","post","type-post","status-publish","format-standard","hentry","category-jazz-research-news"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["de","en"],"languages":{"de":{"title":true,"content":true,"excerpt":false},"en":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/1348","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/comments?post=1348"}],"version-history":[{"count":4,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/1348\/revisions"}],"predecessor-version":[{"id":1396,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/1348\/revisions\/1396"}],"wp:attachment":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/media?parent=1348"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/categories?post=1348"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/tags?post=1348"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}