{"id":1343,"date":"2021-11-02T10:31:52","date_gmt":"2021-11-02T09:31:52","guid":{"rendered":"https:\/\/jazzresearch.org\/?p=1343"},"modified":"2022-02-02T11:03:30","modified_gmt":"2022-02-02T10:03:30","slug":"jazz-research-news-56-2021","status":"publish","type":"post","link":"https:\/\/jazzresearch.org\/en\/jazz-research-news\/jazz-research-news-56-2021\/","title":{"rendered":"Jazz Research News 56 (2021)"},"content":{"rendered":"<p><strong>I. Informationen \/ Information<\/strong><\/p>\n<p>Bernd Hoffmann<br \/>\n\u201eBETRETEN VERBOTEN\u201c: Die Afrika-Tournee des Orchesters Kurt Edelhagen (1965\/1966).<br \/>\nAnmerkungen zum WDR-Dokumentarfilm Der Ba\u00df mu\u00df mit (BRD 1966, Freisewinkel)<\/p>\n<p>Ank\u00fcndigung: Jazzwissenschaftliche Tagung in Kooperation mit der IGJ 2021<\/p>\n<p><strong>II. Rezensionen \/ Reviews<\/strong><\/p>\n<p>Franz Kerschbaumer<br \/>\nHerbert Hellhund, Jazz: Harmonik, Melodik, Improvisation, Analyse<\/p>\n<p><strong>III. Transkriptionen \/ Transcriptions<\/strong><\/p>\n<p>Franz Krieger<br \/>\nCaravan \u2013 as Played by Eddie Rosner<\/p>\n<p>M\u00e1rton Szegedi<br \/>\nSavoy Blues \u2013 as Played by Lonnie Johnson and Johnny St. Cyr<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I. Informationen \/ Information Bernd Hoffmann \u201eBETRETEN VERBOTEN\u201c: Die Afrika-Tournee des Orchesters Kurt Edelhagen (1965\/1966). Anmerkungen zum WDR-Dokumentarfilm Der Ba\u00df mu\u00df mit (BRD 1966, Freisewinkel) Ank\u00fcndigung: Jazzwissenschaftliche Tagung in Kooperation mit der IGJ 2021 II. Rezensionen \/ Reviews Franz Kerschbaumer Herbert Hellhund, Jazz: Harmonik, Melodik, Improvisation, Analyse III. Transkriptionen \/ Transcriptions Franz Krieger Caravan \u2013 [&hellip;]<\/p>\n","protected":false},"author":8,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"class_list":["post-1343","post","type-post","status-publish","format-standard","hentry","category-jazz-research-news"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["de","en"],"languages":{"de":{"title":true,"content":true,"excerpt":false},"en":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/1343","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/comments?post=1343"}],"version-history":[{"count":6,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/1343\/revisions"}],"predecessor-version":[{"id":1360,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/1343\/revisions\/1360"}],"wp:attachment":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/media?parent=1343"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/categories?post=1343"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/tags?post=1343"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}