{"id":1193,"date":"2020-12-21T11:47:11","date_gmt":"2020-12-21T10:47:11","guid":{"rendered":"https:\/\/jazzresearch.org\/?p=1193"},"modified":"2020-12-21T11:47:11","modified_gmt":"2020-12-21T10:47:11","slug":"jazz-research-news-55-2020","status":"publish","type":"post","link":"https:\/\/jazzresearch.org\/en\/jazz-research-news\/jazz-research-news-55-2020\/","title":{"rendered":"Jazz Research News 55 (2020)"},"content":{"rendered":"<p><strong>I. Informationen \/ Information<\/strong><br \/>\n\u00bbJazz Chose Me\u00ab:<br \/>\nEchoes of Gypsy Music in Contemporary Hungarian \u00bbRomani Jazz\u00ab<\/p>\n<p><strong>II. Rezensionen \/ Reviews<\/strong><br \/>\nM\u00e1rton Szegedi:<br \/>\nThe Music of G\u00e1bor Szab\u00f3<\/p>\n<p><strong>III. Transkriptionen \/ Transcriptions<\/strong><br \/>\nThere Is a Fountain Filled with Blood \u2013 as Played by<br \/>\nJohn W. Myers, The Copperhill Male Quartet, and Aretha Franklin<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I. Informationen \/ Information \u00bbJazz Chose Me\u00ab: Echoes of Gypsy Music in Contemporary Hungarian \u00bbRomani Jazz\u00ab II. Rezensionen \/ Reviews M\u00e1rton Szegedi: The Music of G\u00e1bor Szab\u00f3 III. Transkriptionen \/ Transcriptions There Is a Fountain Filled with Blood \u2013 as Played by John W. Myers, The Copperhill Male Quartet, and Aretha Franklin<\/p>\n","protected":false},"author":8,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"class_list":["post-1193","post","type-post","status-publish","format-standard","hentry","category-jazz-research-news"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["de","en"],"languages":{"de":{"title":true,"content":true,"excerpt":false},"en":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/1193","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/comments?post=1193"}],"version-history":[{"count":1,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/1193\/revisions"}],"predecessor-version":[{"id":1195,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/1193\/revisions\/1195"}],"wp:attachment":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/media?parent=1193"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/categories?post=1193"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/tags?post=1193"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}