{"id":1188,"date":"2020-12-21T11:38:27","date_gmt":"2020-12-21T10:38:27","guid":{"rendered":"https:\/\/jazzresearch.org\/?p=1188"},"modified":"2020-12-21T11:39:35","modified_gmt":"2020-12-21T10:39:35","slug":"jazz-research-news-54-2020","status":"publish","type":"post","link":"https:\/\/jazzresearch.org\/en\/jazz-research-news\/jazz-research-news-54-2020\/","title":{"rendered":"Jazz Research News 54 (2020)"},"content":{"rendered":"<p><strong>I. Informationen \/ Information<\/strong><br \/>\n\u00bbAmerican Patrol\u00ab zwischen 1843 und 1966:<br \/>\nHistorische und musikalisch-strukturelle Aspekte ausgew\u00e4hlter Prim\u00e4rquellen<\/p>\n<p><strong>II. Rezensionen \/ Reviews<\/strong><br \/>\nBruce Johnson:<br \/>\nThe Inaudible Music: Jazz, Gender and Australian Modernity<\/p>\n<p><strong>III. Transkriptionen \/ Transcriptions<\/strong><br \/>\nAurora en Pek\u00edn \u2013 as Played by Marc Ribot and Brad Jones<br \/>\nMaggiduddi \u2013 as Played by Members of the Erik Tuxen Orchestra<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I. Informationen \/ Information \u00bbAmerican Patrol\u00ab zwischen 1843 und 1966: Historische und musikalisch-strukturelle Aspekte ausgew\u00e4hlter Prim\u00e4rquellen II. Rezensionen \/ Reviews Bruce Johnson: The Inaudible Music: Jazz, Gender and Australian Modernity III. Transkriptionen \/ Transcriptions Aurora en Pek\u00edn \u2013 as Played by Marc Ribot and Brad Jones Maggiduddi \u2013 as Played by Members of the Erik [&hellip;]<\/p>\n","protected":false},"author":8,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"class_list":["post-1188","post","type-post","status-publish","format-standard","hentry","category-jazz-research-news"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["de","en"],"languages":{"de":{"title":true,"content":true,"excerpt":false},"en":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/1188","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/comments?post=1188"}],"version-history":[{"count":3,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/1188\/revisions"}],"predecessor-version":[{"id":1194,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/1188\/revisions\/1194"}],"wp:attachment":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/media?parent=1188"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/categories?post=1188"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/tags?post=1188"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}