{"id":151,"date":"2019-03-14T12:43:30","date_gmt":"2019-03-14T11:43:30","guid":{"rendered":"https:\/\/jazzresearch.org\/?page_id=151"},"modified":"2019-04-10T10:50:07","modified_gmt":"2019-04-10T08:50:07","slug":"beitraege-zur-jazzforschung","status":"publish","type":"page","link":"https:\/\/jazzresearch.org\/en\/publikationen\/beitraege-zur-jazzforschung\/","title":{"rendered":"Beitr\u00e4ge zur Jazzforschung \/ Studies in Jazz Research"},"content":{"rendered":"<!--W4PL_List_782-->\n<style id=\"w4pl-css-782\" type=\"text\/css\">#w4pl-list-782 h4{ background-color: #DDD; padding: 5px 10px; font-size:14px; border-left:30px solid #AAAAAA; margin:0; }\r\n#w4pl-list-782 #secondli{ padding-top: 2px; padding-bottom: 2px; padding-left:40px; list-style-type: none;}\r\n#w4pl-list-782 li {list-style-type: none;}<\/style>\n<div id=\"w4pl-list-782\" class=\"w4pl\">\n\t<div id=\"w4pl-inner-782\" class=\"w4pl-inner\">\n\t\t<ul class=\"list-unstyled\">\r\n\r\n<li><h4>2023<\/h4>\r\n\r\n<li id=\"secondli\">\r\n<a class=\"post_title w4pl_post_title\" href=\"https:\/\/jazzresearch.org\/en\/studies-in-jazz-research\/vol-16-2023-maximilian-hendler-prehistroy-of-jazz\/\" title=\"View Vol. 16 (2023) Maximilian Hendler: Prehistory of Jazz\">Vol. 16 (2023) Maximilian Hendler: Prehistory of Jazz<\/a>\r\n<\/li>\r\n\r\n<\/li>\r\n\r\n<li><h4>2019<\/h4>\r\n\r\n<li id=\"secondli\">\r\n<a class=\"post_title w4pl_post_title\" href=\"https:\/\/jazzresearch.org\/en\/studies-in-jazz-research\/vol-15-2019-frank-murphy-stephane-grappelli-and-the-hot-club-quintet\/\" title=\"View Vol. 15 (2019) Frank Murphy: St\u00e9phane Grappelli and the Hot Club Quintet\">Vol. 15 (2019) Frank Murphy: St\u00e9phane Grappelli and the Hot Club Quintet<\/a>\r\n<\/li>\r\n\r\n<\/li>\r\n\r\n<li><h4>2010<\/h4>\r\n\r\n<li id=\"secondli\">\r\n<a class=\"post_title w4pl_post_title\" href=\"https:\/\/jazzresearch.org\/en\/studies-in-jazz-research\/vol-14-2010-maximilian-hendler-syncopated-music-fruehgeschichte-des-jazz\/\" title=\"View Vol. 14 (2010) Maximilian Hendler: Syncopated Music: Fr\u00fchgeschichte des Jazz\">Vol. 14 (2010) Maximilian Hendler: Syncopated Music: Fr\u00fchgeschichte des Jazz<\/a>\r\n<\/li>\r\n\r\n<\/li>\r\n\r\n<li><h4>2008<\/h4>\r\n\r\n<li id=\"secondli\">\r\n<a class=\"post_title w4pl_post_title\" href=\"https:\/\/jazzresearch.org\/en\/studies-in-jazz-research\/vol-13-2008-maximilian-hendler-vorgeschichte-des-jazz-vom-aufbruch-der-portugiesen-zu-jelly-roll-morton\/\" title=\"View Vol. 13 (2008) Maximilian Hendler: Vorgeschichte des Jazz: Vom Aufbruch der Portugiesen zu Jelly Roll Morton\">Vol. 13 (2008) Maximilian Hendler: Vorgeschichte des Jazz: Vom Aufbruch der Portugiesen zu Jelly Roll Morton<\/a>\r\n<\/li>\r\n\r\n<\/li>\r\n\r\n<li><h4>2005<\/h4>\r\n\r\n<li id=\"secondli\">\r\n<a class=\"post_title w4pl_post_title\" href=\"https:\/\/jazzresearch.org\/en\/studies-in-jazz-research\/vol-12-2005-maximilian-hendler-cubana-be-cubana-bop-der-jazz-und-die-lateinamerikanische-musik\/\" title=\"View Vol. 12 (2005) Maximilian Hendler: Cubana Be Cubana Bop: Der Jazz und die lateinamerikanische Musik\">Vol. 12 (2005) Maximilian Hendler: Cubana Be Cubana Bop: Der Jazz und die lateinamerikanische Musik<\/a>\r\n<\/li>\r\n\r\n<\/li>\r\n\r\n<li><h4>2002<\/h4>\r\n\r\n<li id=\"secondli\">\r\n<a class=\"post_title w4pl_post_title\" href=\"https:\/\/jazzresearch.org\/en\/studies-in-jazz-research\/vol-11-2002-juergen-arndt-thelonious-monk-und-der-free-jazz\/\" title=\"View Vol. 11 (2002) J\u00fcrgen Arndt: Thelonious Monk und der Free Jazz\">Vol. 11 (2002) J\u00fcrgen Arndt: Thelonious Monk und der Free Jazz<\/a>\r\n<\/li>\r\n\r\n<\/li>\r\n\r\n<li><h4>1995<\/h4>\r\n\r\n<li id=\"secondli\">\r\n<a class=\"post_title w4pl_post_title\" href=\"https:\/\/jazzresearch.org\/en\/studies-in-jazz-research\/vol-10-1995-elisabeth-kolleritsch-jazz-in-graz-von-den-anfaengen-nach-dem-zweiten-weltkrieg-bis-zu-seiner-akademischen-etablierung-ein-zeitgeschichtlicher-beitrag-zur-entwicklung-des-jazz-in-eur\/\" title=\"View Vol. 10 (1995) Elisabeth Kolleritsch: Jazz in Graz: Von den Anf\u00e4ngen nach dem Zweiten Weltkrieg bis zu seiner akademischen Etablierung. Ein zeitgeschichtlicher Beitrag zur Entwicklung des Jazz in Europa\">Vol. 10 (1995) Elisabeth Kolleritsch: Jazz in Graz: Von den Anf\u00e4ngen nach dem Zweiten Weltkrieg bis zu seiner akademischen Etablierung. Ein zeitgeschichtlicher Beitrag zur Entwicklung des Jazz in Europa<\/a>\r\n<\/li>\r\n\r\n<\/li>\r\n\r\n<li><h4>1994<\/h4>\r\n\r\n<li id=\"secondli\">\r\n<a class=\"post_title w4pl_post_title\" href=\"https:\/\/jazzresearch.org\/en\/studies-in-jazz-research\/vol-9-1994-wolfgang-tozzi-jazz-drumming-studien-zum-spiel-von-jack-dejohnette\/\" title=\"View Vol. 9 (1994) Wolfgang Tozzi: Jazz-Drumming. Studien zum Spiel von Jack DeJohnette\">Vol. 9 (1994) Wolfgang Tozzi: Jazz-Drumming. Studien zum Spiel von Jack DeJohnette<\/a>\r\n<\/li>\r\n\r\n<\/li>\r\n\r\n<li><h4>1986<\/h4>\r\n\r\n<li id=\"secondli\">\r\n<a class=\"post_title w4pl_post_title\" href=\"https:\/\/jazzresearch.org\/en\/studies-in-jazz-research\/vol-8-1986-werner-gissing-mississippi-delta-blues-fomen-und-texte-von-robert-johnson-1911-1938\/\" title=\"View Vol. 8 (1986) Werner Gissing: Mississippi Delta Blues. Fomen und Texte von Robert Johnson (1911\u20131938)\">Vol. 8 (1986) Werner Gissing: Mississippi Delta Blues. Fomen und Texte von Robert Johnson (1911\u20131938)<\/a>\r\n<\/li>\r\n\r\n<\/li>\r\n\r\n<li><h4>1984<\/h4>\r\n\r\n<li id=\"secondli\">\r\n<a class=\"post_title w4pl_post_title\" href=\"https:\/\/jazzresearch.org\/en\/studies-in-jazz-research\/vol-7-1984-alfons-m-dauer-tradition-afrikanischer-blasorchester-und-entstehung-des-jazz\/\" title=\"View Vol. 7 (1984) Alfons M. Dauer: Tradition afrikanischer Blasorchester und Entstehung des Jazz\">Vol. 7 (1984) Alfons M. Dauer: Tradition afrikanischer Blasorchester und Entstehung des Jazz<\/a>\r\n<\/li>\r\n\r\n<\/li>\r\n\r\n<li><h4>1978<\/h4>\r\n\r\n<li id=\"secondli\">\r\n<a class=\"post_title w4pl_post_title\" href=\"https:\/\/jazzresearch.org\/en\/studies-in-jazz-research\/vol-5-1978-franz-kerschbaumer-miles-davis-stilkritische-untersuchungen-zur-musikalischen-entwicklung-seines-personalstils\/\" title=\"View Vol. 5 (1978) Franz Kerschbaumer: Miles Davis. Stilkritische Untersuchungen zur musikalischen Entwicklung seines Personalstils\">Vol. 5 (1978) Franz Kerschbaumer: Miles Davis. Stilkritische Untersuchungen zur musikalischen Entwicklung seines Personalstils<\/a>\r\n<\/li>\r\n\r\n<\/li>\r\n\r\n<li><h4>1974<\/h4>\r\n\r\n<li id=\"secondli\">\r\n<a class=\"post_title w4pl_post_title\" href=\"https:\/\/jazzresearch.org\/en\/studies-in-jazz-research\/vol-4-1974-ekkehard-jost-free-jazz\/\" title=\"View Vol. 4 (1974) Ekkehard Jost: Free Jazz\">Vol. 4 (1974) Ekkehard Jost: Free Jazz<\/a>\r\n<\/li>\r\n\r\n<\/li>\r\n\r\n<li><h4>1973<\/h4>\r\n\r\n<li id=\"secondli\">\r\n<a class=\"post_title w4pl_post_title\" href=\"https:\/\/jazzresearch.org\/en\/studies-in-jazz-research\/vol-6-1971-72-73-carl-gregor-herzog-zu-mecklenburg-1971-1972-1973-supplement-to-international-jazz-bibliography-and-selective-bibliography-of-some-jazz-background-literature-und-bibliography-of-tw\/\" title=\"View Vol. 6 (1971\/72\/73) Carl Gregor Herzog zu Mecklenburg: 1971\/1972\/1973 Supplement to International Jazz Bibliography and Selective Bibliography of Some Jazz Background Literature und Bibliography of Two Subjects Previously Excluded\">Vol. 6 (1971\/72\/73) Carl Gregor Herzog zu Mecklenburg: 1971\/1972\/1973 Supplement to International Jazz Bibliography and Selective Bibliography of Some Jazz Background Literature und Bibliography of Two Subjects Previously Excluded<\/a>\r\n<\/li>\r\n\r\n<\/li>\r\n\r\n<li><h4>1972<\/h4>\r\n\r\n<li id=\"secondli\">\r\n<a class=\"post_title w4pl_post_title\" href=\"https:\/\/jazzresearch.org\/en\/studies-in-jazz-research\/vol-2-1972-dietrich-h-kraner-klaus-schulz-jazz-in-austria-historische-entwicklung-und-diskographie-des-jazz-in-oesterreich\/\" title=\"View Vol. 2 (1972) Dietrich H. Kraner \/ Klaus Schulz: Jazz in Austria. Historische Entwicklung und Diskographie des Jazz in \u00d6sterreich\">Vol. 2 (1972) Dietrich H. Kraner \/ Klaus Schulz: Jazz in Austria. Historische Entwicklung und Diskographie des Jazz in \u00d6sterreich<\/a>\r\n<\/li>\r\n\r\n<\/li>\r\n\r\n<li><h4>1971<\/h4>\r\n\r\n<li id=\"secondli\">\r\n<a class=\"post_title w4pl_post_title\" href=\"https:\/\/jazzresearch.org\/en\/studies-in-jazz-research\/vol-3-1971-carl-gregor-herzog-zu-mecklenburg-1970-supplement-to-international-jazz-bibliography-and-international-drum-and-percussion-bibliography\/\" title=\"View Vol. 3 (1971) Carl Gregor Herzog zu Mecklenburg: 1970 Supplement to International Jazz Bibliography and International Drum and Percussion Bibliography\">Vol. 3 (1971) Carl Gregor Herzog zu Mecklenburg: 1970 Supplement to International Jazz Bibliography and International Drum and Percussion Bibliography<\/a>\r\n<\/li>\r\n\r\n<\/li>\r\n\r\n<li><h4>1969<\/h4>\r\n\r\n<li id=\"secondli\">\r\n<a class=\"post_title w4pl_post_title\" href=\"https:\/\/jazzresearch.org\/en\/studies-in-jazz-research\/helmut-guenther-grundphaenomene-und-grundbegriffe-des-afrikanischen-und-afro-amerikanischen-tanzes-vol-1-1969\/\" title=\"View Vol. 1 (1969) Helmut G\u00fcnther: Grundph\u00e4nomene und Grundbegriffe des afrikanischen und afro-amerikanischen Tanzes\">Vol. 1 (1969) Helmut G\u00fcnther: Grundph\u00e4nomene und Grundbegriffe des afrikanischen und afro-amerikanischen Tanzes<\/a>\r\n<\/li>\r\n\r\n<\/li>\r\n\r\n<\/ul>\n\t<\/div><!--#w4pl-inner-782-->\n<\/div><!--#w4pl-782-->\n<!--END_W4PL_List_782-->\n\n","protected":false},"excerpt":{"rendered":"Helmut G\u00fcnther: Grundph\u00e4nomene und Grundbegriffe des afrikanischen und afro-amerikanischen Tanzes (Vol. 1, 1969)","protected":false},"author":3,"featured_media":0,"parent":96,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-151","page","type-page","status-publish","hentry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["de","en"],"languages":{"de":{"title":true,"content":true,"excerpt":false},"en":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/pages\/151","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/comments?post=151"}],"version-history":[{"count":6,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/pages\/151\/revisions"}],"predecessor-version":[{"id":1021,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/pages\/151\/revisions\/1021"}],"up":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/pages\/96"}],"wp:attachment":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/media?parent=151"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}